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在25岁，让 - 克里斯托夫·马尔科维奇是在他的职业生涯最高的职业篮球运动员。虽然在欧洲最负盛名的球队追捧，让 - 克里斯托夫令人惊讶的决定加入他最近已被提升到最高级别的老东家。他的终极目标是什么？法国国家队。

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阔别许久之后，阿莫斯·吉泰（Amos Gitaï）重返鹿特丹国际电影节（IFFR）——此次是以一部内容丰富的纪录片的主角身份回归。这部纪录片围绕他庞大作品中的两个方面，阐述了关于他艺术创作的一个总体观点。洛朗·罗斯（Laurent Roth）曾在2019年以一部非传统的另一位电影人皮埃尔·舍恩多费尔（Pierre Schoendoerffer）的肖像作品让鹿特丹国际电影节的观众为之着迷，他与吉泰探讨了其系列作品《房子》（House，1980）、《耶路撒冷的一座房子》（A House in Jerusalem，1998）以及……

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Damien, Juliet and Jimmy are three 13-year-old children who meet unexpectedly and find out they were all born on the same day.

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Flaubert writes from the hero St Julian the Hospitaller: 'He knew that was hunting in some country since an indefinite time, through the very fact of his existence, as everything seemed to occur with the ease one experiences in dreams.' This film follows this dream and the indeterminacy of time, this action place, particular, we could outline this way: the metamorphosis of a child in a parricide, then from parricide in a saint. This action, Flaubert took it from 'The Golden Legend' and stained glasses in Rouen then made it a tale. The film replays the story and mainly follows Flaubert's text. The images's meaning, the more than musical's film structure, with Flaubert's text, is the one of a free loyalty, a correspondence.

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